Showing posts with label Week 3. Show all posts
Showing posts with label Week 3. Show all posts

Saturday, 31 August 2019

Feedback Strategies: What There Is, Not What There Isn't

One problem with feedback is that it feels personal, especially negative feedback. One trend in feedback giving is to make "a feedback sandwich" with positive comments before and after the critique. However, people who receive feedback sandwiches may see the positive parts as a measly way to soften the blow. As a result, they will dread getting feedback more than they did before.

This dread is a problem because feedback, whether it is self-reflection or a progress report, is vital to improvement. The article, Try Feedforward Instead of Feedback, by Marshall Goldsmith, mentions one feedback technique is to focus on solutions for the future without nitpicking every specific problem.

If you notice one story has a lot of typos, you don't need to say "you spelled the has teh twice." Instead, we can give tools are each other to use in our future writing endeavors. One tool that I would recommend to anyone is Grammarly, which if you haven't used it, it helps me a lot with the word count, word usage, and spelling

Gravity Goldberg's article, Be a Mirror: Give Readers Feedback That Fosters a Growth Mindset, also gave useful tips on how to provide feedback. The most important advice was about acknowledging what is there not what is missing.

I feel this is especially important in a class with storytelling because what makes a good story is very subjective. We all have some retelling in our minds from the stories we've read. If we picture our retelling idea while reading a classmate's, we ignore their strengths.

If you enjoy the emotional part of a story a lot more than the action part, you can provide feedback that isn't a criticism of their action writing.

One example of a lousy critique is, "your story would have been better if you stuck to the character's emotion." Instead, you can focus on what they wrote and say, "the way you expressed the character's emotions with actions was incredibly vivid ." It is also essential to be specific. Perhaps you can bring up memorable parts of the story. An example of this could include, "your inclusion of 'she tilted her head' was a great way to convey that she was confused."

This type of comment tells the writer a highlight you saw in their writing without adding complaints about how other parts were bland compared to what you liked. Because storytelling, like any subjective, plot elements you disliked may be fantastic to another person.

Overall, I think the most crucial thing in feedback is to be heartfelt but not cruel. Don't nitpick a person in a creative space. Instead, we can all work together with giving each other tools to help us succeed without focusing on past mistakes.

Image Created by Cheezburger Meme Generator with
Inspiration from Laura Richie Quote. Source.

Thursday, 29 August 2019

Topic Research: The Legal Charges in Fairy Tales

Storybook Topic: Fairytale Judge

The Emperor’s New Suit Source.

In The Emperor's New Suit, a fashionable emperor hears of tailors who create beautiful clothes with a special cloth that can only be seen by those worthy of their station. The emperor hires the tailors to create outfits for him, and everyone involved in the process agrees that the clothes are incredible.

However, there is a secret to the cloth. The tailors are actually scammers, and the fabric is not real at all. Everyone only pretends to see the material, so they don't invite ridicule on themselves. This charade continues to a point where the emperor will walk in a parade showing off his new clothes, which are nothing but air.

It isn't until a little boy in the crowd notes that the emperor isn't wearing clothes at all that everyone stops pretending that the clothes are real.

Ideas for Retelling:

The tailors are charged with scamming.

The emperor is not charged with indecent exposure because the public humiliation was enough punishment.

Illustration from Page 45 of The Fairy Tales of Hans Christian Andersen (1899) by Helen Stratton Source.
The Little Mermaid Source

In The Little Mermaid, merfolk turn into sea foam when they die, while humans have immortal souls. The only way a mermaid can gain an immortal soul is for a human to fall in love with them. This is the basis for why the little mermaid goes to the sea witch and trades her tail and voice to meet the human prince. At the end of the story, the human prince marries a human princess, and the little mermaid is destined to die. She is given a choice between killing the prince and living or becoming sea foam. The little mermaid chooses to be selfless, and instead of becoming sea foam, the little mermaid becomes a daughter of the air. As a daughter of the air, the little mermaid can do good deeds and eventually earn her own immortal soul.

Ideas for Retelling:

Contracts are invalid with minors. The little mermaid is only 15 during the story.

The judge instead promotes her to be a daughter of the air so she can earn her own immortal soul.

Illustration from Page 132 of The Fairy Tales of Hans Christian Andersen (1899) by Helen Stratton. Source.

Rumplestiltskin Source.

In Rumplestilkskin, a poor farmer deceives the king into believing that his daughter can spin straw into gold. The king puts the farmer's daughter into a room with straw and tells her if it isn't gold by morning, she will be put to death.

The mysterious Rumplestilkskin appears and tells the farmer's daughter that he can spin the straw into gold for her, for a price. The farmer's daughter gives him her necklace. The next day, all of the straw has been made into gold. The king puts the farmer's daughter into a larger room with straw and orders her to spin more gold or die.

Rumplestiltskin helps out the farmer's daughter again. The third night, the king decided to marry the farmer's daughter if she spun the straw into gold a third time. The farmer's daughter has no more possessions to give Rumplestilkskin, and instead, Rumplestilkskin asks that after the farmer's daughter is queen, that she will give him her firstborn child. The farmer's daughter will die if she doesn't have gold made by morning, so she agrees.

The farmer's daughter marries the king, and they have a child. Rumplestiltskin comes back for the promised child as payment, but the queen doesn't want to lose her baby. He promises that if she can guess his name that he will leave her and the baby alone. The queen eventually discovers Rumplestilkskin's name, and he goes for good.

Ideas for Retelling:

Father is charged with lying to the king about his daughter being able to spin straw into gold.

King is charged with ruining the economy with all that extra gold made.

Babies are not allowed to be sold in contracts. The queen must pay Rumplestilkskin the amount of gold he made from straw with work hour compensation.

Illustration from The Blue Fairy Book (1889) by Andrew Lang. Source.


Wednesday, 28 August 2019

Week 3 Story: Psyche Discovers her Husband is, in Fact, Not a Monster (Now on My Portfolio)

I have decided to use this story for my Portfolio project, which you can find here. I will keep this one up so people can compare this older version with the adapted story. Please let me know your thoughts and enjoy!
________________________________________________________________________________

"How do you know your husband isn't a monster if he won't let you see him?"

Psyche's ears rang. A typical visit with her sisters turned into a confusing mess. True, her married life wasn't exactly normal. After the oracle of Apollo foretold her marriage to a hideous monster that even the gods fear, she walked down the altar to a funeral march. However, her first meeting with her husband was not one of him devouring her. He brought her to an ethereal palace where many servants attended her. While it is true that her husband and his servants were invisible, they were kind to her and made her feel affection. The affection she wasn't able to experience as regular people worshipped her as Venus on Earth.

Now, Psyche's perfect life with her adoring husband and new pregnancy crumbled in her mind. How could she go back to that life, after what she's been told?

Psyche loved her husband. He was so gentle and loving towards her. But...what if her sisters were right? She loves her husband, but she loves the child in her womb more than life herself. If by some chance her husband was plotting to kill them both, where could she run? She would have to kill him first.

And so that evening, Psyche took a sharp blade and a lantern and approached her husband's bedside, her hand's trembling with anxiety. They stilled as Psyche cast her eyes on her husband for the first time.


He wasn't a hideous monster, he was an ethereally gorgeous man. Mesmerized by his beauty, Psyche leaned in close, only to jerk back when she felt a sharp prick on her hand. She looked to the side and saw arrows, beautifully crafted.

His otherworldly beauty, his arrows. Psyche realized that her husband was none other than Cupid, the god of love. She felt her love for Cupid swell further than possible, not just from the arrows of love. Her husband wasn't a malevolent creature. He told the truth when he said he loved her and their baby. Psyche, assassination plan canceled, went to turn away and go back to bed, when a mysterious lamp oil drop spilled on Cupid's shoulder.

Lamp Oil POV

So this is happening. I am lamp oil. I am alive. How is this real? What is even happening? Do sentient objects count as being alive? If so, do I have a soul? Can I die? What would lamp oil death be like? How am I even thinking about this? I was just some ordinary lamp oil a moment ago. Am I panicking? I am! This is so weird. I can see? Does that mean I have eyes?

Wait...I can only see because lamp oil is being burned. I am lamp oil...I like to see...am I a masochist? Moving from those darkening thoughts, I start to look around at my surroundings, only to catch sight of the best-looking man I have ever seen.

Granted, I don't have anything for comparison since I wasn't alive a moment ago, but this guy is a serious hottie. Hottie...

He's a hottie! I'm hot lamp oil! We belong together! Who cares about existential crises when you've met the love of your life. He's so attractive! Gaaaah! Why didn't sentience come with poet skills? I can't describe his beauty enough! I need to get closer.

With my newfound determination, I use all my strength to slide off the lamp and free-fall onto Hottie's shoulder.

Cupid POV

I awake with a start. My shoulder burns. I look down and see...lamp oil with eyes? Did I accidentally bring objects to life in my sleep again? Honestly...mortals never have to deal with these problems.

Speaking of mortals... I look up and see my beautiful Psyche. She's so precious and...is looking at me? Psyche is looking at me. Psyche has a lamp? And from the glinting metal in one hand, a knife.

Was she...planning on killing me? I know she visited her sisters earlier, but she promised me that she trusted me and wouldn't listen to the advice from her jealous sisters. She...lied? I know our married life is unconventional, as I've hidden my form from her, but I've tried to treat her like a queen. I worked so hard to give us a happy life together, Psyche! Why couldn't you trust me?

For a moment, Psyche and I stared at each other. My eyes burned, and wetness spilled down my face before I fled away from her.

Psyche POV

I've made a horrible mistake.

Author's Note:

The original story of Cupid and Psyche starts with a beautiful mortal princess, the Psyche. Psyche is so stunning that worshippers of Venus, the goddess of love and beauty, stopped going to the temples and started going to see Psyche's legendary beauty. Venus, of course, is enraged that mortals have begun to worship a lowly mortal like Psyche instead of her own divine self. So Venus decides to have Psyche fall in love with a hideous monster. Psyche's father at this time is looking for a husband for Psyche, and he hears about the monster that Venus wants to set Psyche up with.

Venus sends her son, Cupid, to use his love arrows on Psyche, but Cupid falls in love with Psyche at first sight and decides to marry her. Cupid and his servants stay invisible from Psyche because...

However, aside from Venus, Psyche's side of the family also has problems. She has two sisters who were married to old kings in foreign countries, and they are jealous that Psyche lives in a luxurious palace with unearthly riches. They determine that Psyche has married a god and decide to ruin her marriage. The sisters tell Psyche that her husband is a monster that is definitely going to kill her and her unborn child if she doesn't kill him first. Psyche, being naive and trusting her older sisters, listen to their "advice."

I added in the oil perspective because, in the original story, the lamp oil splashes Cupid because Cupid's otherworldly beauty makes the oil want to be closer to him. I decided to create a comedic effect from it.

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: "Psyché et l’Amour endormi" (1636) Painted by Peter Paul Rubens (1577–1640). Source.

Monday, 26 August 2019

Reading Notes: Cupid and Psyche, Part B

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: Wedding Banquet of Cupid and Psyche (1517) by Painter Raphael (1483-1520). Source.

Plot Points:
  • Venus finds out Eros married Psyche and is furious. The other gods call her out on being a hypocrite.
  • Psyche wants to find a temple to stay at but all the goddesses she visits refuse to get involved because of Venus.
  • Psyche eventually goes to Venus, who torments her then tells here to sort grains, only for the ants to pity Psyche and sort the grains for her.
  • Psyche is ordered to get golden wool but she instead tries to drown herself. A green reed stops her and tells her to get wool from branches instead of directly from the sheep.
  • Psyche is sent to get liquid from the underworld. Jupiter sent an eagle to get the liquid for her, even though the other goddesses promised not to get involved.
  • Psyche is sent to get some of Persephone's beauty for Venus in a jar. A turret helps her get to Persephone.
  • Psyche uses the beauty jar to freshen up for Cupid, but a sleeping beauty curse.
  • Cupid meanwhile is all better now and saves Psyche and asks Jupiter for support.
  • Jupiter calls a god council and makes Psyche a goddess and remarries her with Cupid.
  • Back to Robber camp, Lucius and the captive girl escape to freedom
Retelling Ideas:
  • The ant's perspective of why they decided to sort the grain.
  • A retelling with the god's council where everyone agrees Venus being a grandmother is absolutely hilarious and that's why they decided to bring Cupid and Psyche back together.
One good image for Cupid and Psyche's reunion would be: (image information at the top)

Reading Notes: Cupid and Psyche, Part A

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: Psyché et l’Amour endormi (1636) Painted by Peter Paul Rubens (1577–1640). Source.
Plot Details:

  • A girl is kidnapped for ransom, the robbers promise not to hurt her but the girl is understandably terrified. An old woman of the group tells her a story to comfort her.
  • Psyche so beautiful that people worshipped her instead of Venus
  • Venus wanted Psyche to fall in love with something gross
  • people admired her as if she wasn't human so no one thought they could even propose to her. Psyche was lonely
  • Psyche's father asked about potential husbands to the oracle, who said psyche would marry a hideous monster that even the gods fear.
  • Psyche goes as if she's dying and not marrying
  • Psyche says she was dead when people started worshipping her instead of Venus.
  • Zephyr guides to her her husband's house, which is super luxurious and has invisible servants
  • Invisible husband tells Psyche that her sisters think she is dead and are going to the cliff.
  • Husband tells Psyche not to listen to advice from sisters or ruin will hit her.
  • Jealous sisters want to ruin Psyche's marriage
  • Husband warns Psyche, Psyche is pregnant
  • sisters know Psyche is a husband is a god and bring up that the oracle said she would marry a hideous monster. They say husband will kill her and her unborn child. They tell her to take a lamp and light and to look at her husband and murder him
  • Psyche sees her husband is a super hot god, accidentally stabs herself with a cupid arrow. Oil wants to get closer to Cupid and splashes itself on him
  • Cupid runs because betrayal, reveals he disobeyed Venus and stabbed himself with his own arrow and fell in love with Psyche.
  • Psyche is depressed, Pan tells her to get a grip and win Cupid back.
  • Psyche tells each sister that Cupid banished her and wants to marry the sister
  • Sisters greed causes their death.

  • Ideas for Retelling:

    Retell Psyche discovering Cupid's appearance from the Oil's perspective (Because the Oil found Cupid so attractive that is splashed itself on him.). 
    One good image to use for this retelling would be: (image information at the top)


    Retell from Venus' perspective as she decides to make Psyche marry something gross as punishment for being pretty and taking away her worshippers. Maybe fill in the plot hole of why an all-powerful goddess didn't just kill Psyche.