Saturday 31 August 2019

Feedback Strategies: What There Is, Not What There Isn't

One problem with feedback is that it feels personal, especially negative feedback. One trend in feedback giving is to make "a feedback sandwich" with positive comments before and after the critique. However, people who receive feedback sandwiches may see the positive parts as a measly way to soften the blow. As a result, they will dread getting feedback more than they did before.

This dread is a problem because feedback, whether it is self-reflection or a progress report, is vital to improvement. The article, Try Feedforward Instead of Feedback, by Marshall Goldsmith, mentions one feedback technique is to focus on solutions for the future without nitpicking every specific problem.

If you notice one story has a lot of typos, you don't need to say "you spelled the has teh twice." Instead, we can give tools are each other to use in our future writing endeavors. One tool that I would recommend to anyone is Grammarly, which if you haven't used it, it helps me a lot with the word count, word usage, and spelling

Gravity Goldberg's article, Be a Mirror: Give Readers Feedback That Fosters a Growth Mindset, also gave useful tips on how to provide feedback. The most important advice was about acknowledging what is there not what is missing.

I feel this is especially important in a class with storytelling because what makes a good story is very subjective. We all have some retelling in our minds from the stories we've read. If we picture our retelling idea while reading a classmate's, we ignore their strengths.

If you enjoy the emotional part of a story a lot more than the action part, you can provide feedback that isn't a criticism of their action writing.

One example of a lousy critique is, "your story would have been better if you stuck to the character's emotion." Instead, you can focus on what they wrote and say, "the way you expressed the character's emotions with actions was incredibly vivid ." It is also essential to be specific. Perhaps you can bring up memorable parts of the story. An example of this could include, "your inclusion of 'she tilted her head' was a great way to convey that she was confused."

This type of comment tells the writer a highlight you saw in their writing without adding complaints about how other parts were bland compared to what you liked. Because storytelling, like any subjective, plot elements you disliked may be fantastic to another person.

Overall, I think the most crucial thing in feedback is to be heartfelt but not cruel. Don't nitpick a person in a creative space. Instead, we can all work together with giving each other tools to help us succeed without focusing on past mistakes.

Image Created by Cheezburger Meme Generator with
Inspiration from Laura Richie Quote. Source.

Thursday 29 August 2019

Topic Research: The Legal Charges in Fairy Tales

Storybook Topic: Fairytale Judge

The Emperor’s New Suit Source.

In The Emperor's New Suit, a fashionable emperor hears of tailors who create beautiful clothes with a special cloth that can only be seen by those worthy of their station. The emperor hires the tailors to create outfits for him, and everyone involved in the process agrees that the clothes are incredible.

However, there is a secret to the cloth. The tailors are actually scammers, and the fabric is not real at all. Everyone only pretends to see the material, so they don't invite ridicule on themselves. This charade continues to a point where the emperor will walk in a parade showing off his new clothes, which are nothing but air.

It isn't until a little boy in the crowd notes that the emperor isn't wearing clothes at all that everyone stops pretending that the clothes are real.

Ideas for Retelling:

The tailors are charged with scamming.

The emperor is not charged with indecent exposure because the public humiliation was enough punishment.

Illustration from Page 45 of The Fairy Tales of Hans Christian Andersen (1899) by Helen Stratton Source.
The Little Mermaid Source

In The Little Mermaid, merfolk turn into sea foam when they die, while humans have immortal souls. The only way a mermaid can gain an immortal soul is for a human to fall in love with them. This is the basis for why the little mermaid goes to the sea witch and trades her tail and voice to meet the human prince. At the end of the story, the human prince marries a human princess, and the little mermaid is destined to die. She is given a choice between killing the prince and living or becoming sea foam. The little mermaid chooses to be selfless, and instead of becoming sea foam, the little mermaid becomes a daughter of the air. As a daughter of the air, the little mermaid can do good deeds and eventually earn her own immortal soul.

Ideas for Retelling:

Contracts are invalid with minors. The little mermaid is only 15 during the story.

The judge instead promotes her to be a daughter of the air so she can earn her own immortal soul.

Illustration from Page 132 of The Fairy Tales of Hans Christian Andersen (1899) by Helen Stratton. Source.

Rumplestiltskin Source.

In Rumplestilkskin, a poor farmer deceives the king into believing that his daughter can spin straw into gold. The king puts the farmer's daughter into a room with straw and tells her if it isn't gold by morning, she will be put to death.

The mysterious Rumplestilkskin appears and tells the farmer's daughter that he can spin the straw into gold for her, for a price. The farmer's daughter gives him her necklace. The next day, all of the straw has been made into gold. The king puts the farmer's daughter into a larger room with straw and orders her to spin more gold or die.

Rumplestiltskin helps out the farmer's daughter again. The third night, the king decided to marry the farmer's daughter if she spun the straw into gold a third time. The farmer's daughter has no more possessions to give Rumplestilkskin, and instead, Rumplestilkskin asks that after the farmer's daughter is queen, that she will give him her firstborn child. The farmer's daughter will die if she doesn't have gold made by morning, so she agrees.

The farmer's daughter marries the king, and they have a child. Rumplestiltskin comes back for the promised child as payment, but the queen doesn't want to lose her baby. He promises that if she can guess his name that he will leave her and the baby alone. The queen eventually discovers Rumplestilkskin's name, and he goes for good.

Ideas for Retelling:

Father is charged with lying to the king about his daughter being able to spin straw into gold.

King is charged with ruining the economy with all that extra gold made.

Babies are not allowed to be sold in contracts. The queen must pay Rumplestilkskin the amount of gold he made from straw with work hour compensation.

Illustration from The Blue Fairy Book (1889) by Andrew Lang. Source.


Wednesday 28 August 2019

Week 3 Story: Psyche Discovers her Husband is, in Fact, Not a Monster (Now on My Portfolio)

I have decided to use this story for my Portfolio project, which you can find here. I will keep this one up so people can compare this older version with the adapted story. Please let me know your thoughts and enjoy!
________________________________________________________________________________

"How do you know your husband isn't a monster if he won't let you see him?"

Psyche's ears rang. A typical visit with her sisters turned into a confusing mess. True, her married life wasn't exactly normal. After the oracle of Apollo foretold her marriage to a hideous monster that even the gods fear, she walked down the altar to a funeral march. However, her first meeting with her husband was not one of him devouring her. He brought her to an ethereal palace where many servants attended her. While it is true that her husband and his servants were invisible, they were kind to her and made her feel affection. The affection she wasn't able to experience as regular people worshipped her as Venus on Earth.

Now, Psyche's perfect life with her adoring husband and new pregnancy crumbled in her mind. How could she go back to that life, after what she's been told?

Psyche loved her husband. He was so gentle and loving towards her. But...what if her sisters were right? She loves her husband, but she loves the child in her womb more than life herself. If by some chance her husband was plotting to kill them both, where could she run? She would have to kill him first.

And so that evening, Psyche took a sharp blade and a lantern and approached her husband's bedside, her hand's trembling with anxiety. They stilled as Psyche cast her eyes on her husband for the first time.


He wasn't a hideous monster, he was an ethereally gorgeous man. Mesmerized by his beauty, Psyche leaned in close, only to jerk back when she felt a sharp prick on her hand. She looked to the side and saw arrows, beautifully crafted.

His otherworldly beauty, his arrows. Psyche realized that her husband was none other than Cupid, the god of love. She felt her love for Cupid swell further than possible, not just from the arrows of love. Her husband wasn't a malevolent creature. He told the truth when he said he loved her and their baby. Psyche, assassination plan canceled, went to turn away and go back to bed, when a mysterious lamp oil drop spilled on Cupid's shoulder.

Lamp Oil POV

So this is happening. I am lamp oil. I am alive. How is this real? What is even happening? Do sentient objects count as being alive? If so, do I have a soul? Can I die? What would lamp oil death be like? How am I even thinking about this? I was just some ordinary lamp oil a moment ago. Am I panicking? I am! This is so weird. I can see? Does that mean I have eyes?

Wait...I can only see because lamp oil is being burned. I am lamp oil...I like to see...am I a masochist? Moving from those darkening thoughts, I start to look around at my surroundings, only to catch sight of the best-looking man I have ever seen.

Granted, I don't have anything for comparison since I wasn't alive a moment ago, but this guy is a serious hottie. Hottie...

He's a hottie! I'm hot lamp oil! We belong together! Who cares about existential crises when you've met the love of your life. He's so attractive! Gaaaah! Why didn't sentience come with poet skills? I can't describe his beauty enough! I need to get closer.

With my newfound determination, I use all my strength to slide off the lamp and free-fall onto Hottie's shoulder.

Cupid POV

I awake with a start. My shoulder burns. I look down and see...lamp oil with eyes? Did I accidentally bring objects to life in my sleep again? Honestly...mortals never have to deal with these problems.

Speaking of mortals... I look up and see my beautiful Psyche. She's so precious and...is looking at me? Psyche is looking at me. Psyche has a lamp? And from the glinting metal in one hand, a knife.

Was she...planning on killing me? I know she visited her sisters earlier, but she promised me that she trusted me and wouldn't listen to the advice from her jealous sisters. She...lied? I know our married life is unconventional, as I've hidden my form from her, but I've tried to treat her like a queen. I worked so hard to give us a happy life together, Psyche! Why couldn't you trust me?

For a moment, Psyche and I stared at each other. My eyes burned, and wetness spilled down my face before I fled away from her.

Psyche POV

I've made a horrible mistake.

Author's Note:

The original story of Cupid and Psyche starts with a beautiful mortal princess, the Psyche. Psyche is so stunning that worshippers of Venus, the goddess of love and beauty, stopped going to the temples and started going to see Psyche's legendary beauty. Venus, of course, is enraged that mortals have begun to worship a lowly mortal like Psyche instead of her own divine self. So Venus decides to have Psyche fall in love with a hideous monster. Psyche's father at this time is looking for a husband for Psyche, and he hears about the monster that Venus wants to set Psyche up with.

Venus sends her son, Cupid, to use his love arrows on Psyche, but Cupid falls in love with Psyche at first sight and decides to marry her. Cupid and his servants stay invisible from Psyche because...

However, aside from Venus, Psyche's side of the family also has problems. She has two sisters who were married to old kings in foreign countries, and they are jealous that Psyche lives in a luxurious palace with unearthly riches. They determine that Psyche has married a god and decide to ruin her marriage. The sisters tell Psyche that her husband is a monster that is definitely going to kill her and her unborn child if she doesn't kill him first. Psyche, being naive and trusting her older sisters, listen to their "advice."

I added in the oil perspective because, in the original story, the lamp oil splashes Cupid because Cupid's otherworldly beauty makes the oil want to be closer to him. I decided to create a comedic effect from it.

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: "Psyché et l’Amour endormi" (1636) Painted by Peter Paul Rubens (1577–1640). Source.

Monday 26 August 2019

Reading Notes: Cupid and Psyche, Part B

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: Wedding Banquet of Cupid and Psyche (1517) by Painter Raphael (1483-1520). Source.

Plot Points:
  • Venus finds out Eros married Psyche and is furious. The other gods call her out on being a hypocrite.
  • Psyche wants to find a temple to stay at but all the goddesses she visits refuse to get involved because of Venus.
  • Psyche eventually goes to Venus, who torments her then tells here to sort grains, only for the ants to pity Psyche and sort the grains for her.
  • Psyche is ordered to get golden wool but she instead tries to drown herself. A green reed stops her and tells her to get wool from branches instead of directly from the sheep.
  • Psyche is sent to get liquid from the underworld. Jupiter sent an eagle to get the liquid for her, even though the other goddesses promised not to get involved.
  • Psyche is sent to get some of Persephone's beauty for Venus in a jar. A turret helps her get to Persephone.
  • Psyche uses the beauty jar to freshen up for Cupid, but a sleeping beauty curse.
  • Cupid meanwhile is all better now and saves Psyche and asks Jupiter for support.
  • Jupiter calls a god council and makes Psyche a goddess and remarries her with Cupid.
  • Back to Robber camp, Lucius and the captive girl escape to freedom
Retelling Ideas:
  • The ant's perspective of why they decided to sort the grain.
  • A retelling with the god's council where everyone agrees Venus being a grandmother is absolutely hilarious and that's why they decided to bring Cupid and Psyche back together.
One good image for Cupid and Psyche's reunion would be: (image information at the top)

Reading Notes: Cupid and Psyche, Part A

Bibliography:

Original Story: "Cupid and Psyche" from Apuleius' ancient Roman novel, The Golden Ass, translated into English by Tony Kline. Source.

Image Information: Psyché et l’Amour endormi (1636) Painted by Peter Paul Rubens (1577–1640). Source.
Plot Details:

  • A girl is kidnapped for ransom, the robbers promise not to hurt her but the girl is understandably terrified. An old woman of the group tells her a story to comfort her.
  • Psyche so beautiful that people worshipped her instead of Venus
  • Venus wanted Psyche to fall in love with something gross
  • people admired her as if she wasn't human so no one thought they could even propose to her. Psyche was lonely
  • Psyche's father asked about potential husbands to the oracle, who said psyche would marry a hideous monster that even the gods fear.
  • Psyche goes as if she's dying and not marrying
  • Psyche says she was dead when people started worshipping her instead of Venus.
  • Zephyr guides to her her husband's house, which is super luxurious and has invisible servants
  • Invisible husband tells Psyche that her sisters think she is dead and are going to the cliff.
  • Husband tells Psyche not to listen to advice from sisters or ruin will hit her.
  • Jealous sisters want to ruin Psyche's marriage
  • Husband warns Psyche, Psyche is pregnant
  • sisters know Psyche is a husband is a god and bring up that the oracle said she would marry a hideous monster. They say husband will kill her and her unborn child. They tell her to take a lamp and light and to look at her husband and murder him
  • Psyche sees her husband is a super hot god, accidentally stabs herself with a cupid arrow. Oil wants to get closer to Cupid and splashes itself on him
  • Cupid runs because betrayal, reveals he disobeyed Venus and stabbed himself with his own arrow and fell in love with Psyche.
  • Psyche is depressed, Pan tells her to get a grip and win Cupid back.
  • Psyche tells each sister that Cupid banished her and wants to marry the sister
  • Sisters greed causes their death.

  • Ideas for Retelling:

    Retell Psyche discovering Cupid's appearance from the Oil's perspective (Because the Oil found Cupid so attractive that is splashed itself on him.). 
    One good image to use for this retelling would be: (image information at the top)


    Retell from Venus' perspective as she decides to make Psyche marry something gross as punishment for being pretty and taking away her worshippers. Maybe fill in the plot hole of why an all-powerful goddess didn't just kill Psyche.

Sunday 25 August 2019

Growth Mindset Challenge: Success Acronym

"Success" by Nick Youngson. Source.
Struggle
Until you
Choose to
Change your
Every
Shabby
Strive


I came up with this acronym because I think the key to success is effort. If you want to succeed in life, you can't achieve it by passively going through all the steps. However, a lot of people don't realize this. I've had classmates who didn't do well on a midterm because they assumed going to lecture was all they needed to do well on it. And this trend is prevalent all around our society in all aspects of life. Commercials for fad diets and websites that promise easy learning a second language pander to people who look for an easy way out.

What we forget is that success takes sacrifice. If you want to lose weight, you have to skip the junk food. If you want to learn, you have to take time away from watching TV or playing games to sit down and study. If we don't have the determination to sacrifice, every hurdle will feel impossible.

I learned this the hard way when my high school prom was set the night before my AP Psychology exam. There was no way I could be well rested to take the morning exam after staying for the 2 am after prom. I had to choose. Success means different things for everyone. Someone who wants to create lasting memories would value going to prom with their friends more than the AP test. Someone who had a specific academic plan that required passing the AP test would stay home.

If we want to succeed, we must put our best effort in every moment. Otherwise, all of our hard work will be for naught.

Saturday 24 August 2019

Feedback Thoughts

Like many people, I have struggled with receiving feedback. I took any negative feedback on my work as a direct attack on me as a person. However, I brushed off any positive input to the side. I never saw it as a compliment to me as a person. This double-standard affected me, and it was only later that I realized that my merits are just as significant to pay attention to as my faults. The two articles I read reinforced this thought-process.

One of the articles I read was Sabina Nawaz's article, "Silence the Critical Voices in Your Head." Nawaz brought up that it is crucial to write down both positive and negative feedback, so we know what we need to continue as well as what we need to change. As it is now, we give ourselves too little credit for our merits. We brush off compliments without realizing that every skill we have contributes. To counteract this thought, we need to focus more on positive feedback and turn those compliments into improvement working tools.

John Spencer's article, "Seven Ways to Crush Self-Doubt in Creative Work," also brought up how the way we shrink from making mistakes is unnatural. If babies were self-conscious of how clumsy they are compared to adults, functional humans would cease to exist. We need to shift from the thought process that the worst thing we can do is make a mistake or turn in an imperfect project. The worst thing we can do is nothing. While this mindset is hard to grasp with the standardized testing and continual grading, we need to remind ourselves that by comparing ourselves to others, we are only hindering ourselves.
Cheezburger Generated Image. Source.



Topic Brainstorm

Most of my storybook ideas stem from my own reaction to reading some stories as I get older. When I was little, I ate up fairy tales, but eventually, I realized some fairy tales have some toxic messages or other messed up factors to them I mean, deals that sell your firstborn child are pretty messed up (I'm looking at you Rumplestilkskin.)

Story Judge

One of my storybook ideas is fairy tale characters coming into court. I thought this up because fairy tales rarely have logic, so by writing an incredulous judge dealing with magical nonsense could create a comedic effect. One idea I had was a Rumplestilkskin and the Queen having a custody trial . I imagined the judge would be flabbergasted. (You mean to tell me you sold your baby for a creepy man to spin straw into gold??). Overall, I've thought of multiple potential stories that could go into this topic.

The Rumplestilkskin custody case

Cinderella vs Stepfamily in a Child Welfare Case

Jack and the Beanstalk with Home Burglary.

The Little Mermaid and Invalid Contracts with Minors

Loki and the Idiot Gods of Asgard

I've always been a fan of trickster mythology, and I imagine Loki in Asgard to be a sarcastic hipster surrounded by a bunch of airheads.

Loki's sarcastic suggestions are taken seriously by whiny gods, and he has to fix their messes. The stories I may use include Fortification of Asgard, The Kidnapping of Idun, The Creation of Thor's Hammer and The Death of Baldur

With the Fortification of Asgard, I imagined Loki calling out the gods on not wanting to be fair to the smith, only for everyone to decide that being unfair is a great idea. Later on, Loki gets blamed when the smith figures out how to build the wall in a short amount of time. Skip forward, Loki has obtained a horse. People are like, "Loki, did you buy a horse"

And Loki, of course, says, "No, I totally turned myself into a mare and slept with the smith's horse. This is our child." Only for everyone to believe him. and Loki is just like, I'm surrounded by idiots
Paris Tuileries Garden Facepalm Statue by Photographer Alex E. Proimos. Source: Wikimedia Commons.

Therapists for Fairy tale people

I'm interested in psychology, and I've recognized that some stories I've read have some toxic messages embedded in them. One idea I have for a storybook are characters going to therapy and dealing with the psychological issues a real person would face after going through a fairy tale ordeal. Some ideas I have include:

Hera realizes that Zeus is a cheater and she needs to leave him rather than punish the mortal women who are coerced into sleeping with Zeus (Let's face it, gods can punish divine retribution are infinitely worse than a sleazy boss making inappropriate advances).

Cinderella dealing with self-esteem issues and anxiety in her transition from family slave to queen.

Hansel and Gretel dealing with the fact that they killed a cannibal witch who wanted to eat them.

Fairy Godmother's Dating Service

In a lot of fairy tales, true love is the main part of a happily ever after. After decades of work, the fairy godmother has decided that if her actions help people fall in love, she may as well get paid to do it. Young ladies around the kingdom set up an appointment with the Fairy Godmother to meet their dream prince. (Some conditions might include being put in a coma, family separation and or abuse, being cursed, etc.)

I imagine that certain packages, such as the sleeping princess might be offered. (Different prices based on if you want the regular Sleeping Beauty 100 year coma or the deluxe Snow White 1 week coma).











Thursday 22 August 2019

Week 2 Story: The Girl and the Basilisk

Once upon a time, there was a young King who fell in love with a servant-girl. However, when the King proclaimed that we would marry the servant-girl, his royal advisors insisted that the King marry a noble. Eventually, the King agreed and abandoned his lover in favor of a princess.

The King and his new Queen were happy, more so when the Queen became pregnant. However, the broken-hearted servant-girl grew jealous and turned to Black magic. In her rage, she cursed the unborn royal to become a basilisk.

When the young prince was born with scales and feathers, the King and Queen were horrified. They sought a cure, but only an act of true love would break the spell. Hopeless of any such love to exist for a monster, the King and Queen sent their child away. With some kindness, the prince was sent to live at the Spring palace, enchanted to have blooming flowers all year-round.

As the years passed, the prince grew in isolation. As the curse transformed his body further, his few servants fled in fear. And so the blooming gardens of the Spring Palace became overgrown with weeds.

In a nearby town, a young girl named Mary lived with her mother on a small farm. One day, Mary's mother was due to travel to the neighboring city. Mary did not want her mother to leave, but when asked if she would like anything from the town, Mary said she wanted roses.

However, a storm delayed Mary's mother for weeks. By the time she arrived at the town, winter was already here. The mother searched across the city, but no store had roses. Any hope of finding roses was futile until she heard of a basilisk's castle that grew flowers all year. Mary's mother did not believe in monsters such as basilisks, but she decided to visit the castle in the hope that she would find even one rose. As Mary's mother approached ornate gates, she was shocked to see not only roses but every kind of flower imaginable in a garden. As she went to pick the roses, a shadow fell over her. Mary's mother turned and saw the castle's basilisk, with the face of a rooster and body of a serpent. 




Mary's mother was sure that she would be killed and crouched in fear. However, when she heard the monster spoke with a soft, mellow voice, her fear lay forgotten.

"Hello? Are you the new gardener? That's good because the garden has become quite messy since the old one left."

"No...I am not the new gardener."

"Then what are you doing with my roses?"

"I'm sorry! I just...my daughter, I promised to give her roses and didn't want to disappoint her."

"Your daughter wanted roses? Does she like them very much? I like them too."

And so the conversation continued, with the basilisk asking questions about daily human life and why didn't humans grow out their claws (they are nails, and longer nails are inconvenient) and what games do human children play (every kind they can think of). The basilisk decided.

"You will be my new gardener."

"What? I can't. My daughter needs me at home."

"Then your daughter can come to work with you."

"Why? What do you plan on doing with us?"

The basilisk eyes widened. "Oh-no-no-no-no. I'm not going to hurt you. I like you, and I think I will like your daughter too. And my gardens need a gardener. So do you promise? If you say yes, I will let you leave this place. If you say no...if you say no...you will have to stay with me until you agree." The basilisk looked proud of his cleverness.

The mother was suddenly reminded of Mary whenever she tried to squeeze out another hour before bedtime or asked for just one more cookie. This basilisk may look monstrous, but he was more child-like than malicious. So she decided.

"I promise."

After the strange encounter, Mary's mother returned home to her daughter. Mary was overjoyed until her mother explained the deal with the basilisk. However, Mary agreed that they needed to keep their promise, and so the next day, Mary and her mother met the basilisk again. After introducing the basilisk and Mary to each other, Mary's mother started to weed the gardens. The basilisk and Mary were left to look at one another.

The basilisk squinted his eyes at Mary. "I've never seen a human child before."

"I've never seen a basilisk before," Mary scrunched her face. "Why aren't you hurting us?"

"Why would I?"

Mary considered that argument before she said, "Okay. Do you want to be friends with me?"

"Friends?"

"You're scary, but you're not mean. I know the difference now. What's your name? I'm Mary."

"I don't have..."

"You don't have a name? Then...how about Florian?"

"Florian?"

"Your garden's full of flowers, so you should have a flowery name."

"Florian. I like it."

After they met, Mary and Florian became thick as thieves. They spent every day playing or learning together while Mary's mother restored the gardens.

As the years passed, Florian and Mary grew closer with hopes that their carefree days would never end. However, soon, Florian became ill. His feathers and scales fell from his withering skin. Mary, determined not to abandon her friend, nursed him as best she could. Until one day, Florian didn't wake up, no matter how Mary tried to rouse him.

Her eyes burned. "Florian please, come back to me. I don't want you to leave! You're my best friend, and I...I love you." But Florian did not respond.

Mary held Florian's talon and cried. As her tears fell, Florian's body began to glow and shift into a young human man's. Florian's eyes opened.

"Mary, why are you crying? What happened to me? I'm human?"

"It's okay. You're healthy again, Nothing else matters."

"But...I don't know how to be human."

"It's okay. We'll figure it out, together."

Author's Note:

This story is based on "The Three Roses." I wanted the basilisk and Mary to spend more time together, so I had them meet when they were young. However, a young girl going to stay at a monster castle alone is a creepy setup, so I adjusted it to where Mary's mother was on the castle grounds. I thought up the gardener position because a monster's castle would cause any servants to run in fear. 

The most important question I had when I read "The Three Roses" was how the basilisk came to be cursed. I decided to create a storyline where a scorned lover curses her ex's son with a curse that could only be reversed by true love. The basilisk's monster appearance would frighten off anyone who came in close. It was only when Mary's mother encountered the basilisk that an outsider learns that the basilisk has an innocent, kind nature. 

I changed the curse from Mary cutting off the basilisk's head to him getting sick because I love the true love will break the spell plot. Mary's growing affection for Florian reversed the curse slowly. The transformation to human puts a lot of stress on Florian's body because his very DNA is changing. His failing health made Mary afraid she would lose Florian. As Mary realized her feelings, the curse was broken. 

By the point where Florian is cured, I had hit the maximum word limit. Rather than writing in a rushed in happily ever after, I decided to leave the story on a hopeful note that Mary and Florian will face anything together.

Bibliography:

"The Three Roses" from The Key of Gold: Czech Folk Tales (1922) by Josef Baudis. Web Source.

Image Information: Basilisk by Friedrich Johann Justin Bertuch (1747-1822). Source: Wikimedia Commons.

Monday 19 August 2019

Reading Notes: Week 2 Anthology

Out of the stories in the anthology, I decided to retell "The Three Roses," which is a fairy tale found in Josef Baudis' 1922 book, The Key of Gold: Czech Folk Tales. This story, while not my favorite out of the anthology choices, made me think of so many ideas I would want to use in my retelling. For this week, I decided to format my notes with the problems I saw in the story and the changes I would make in my retelling.

Plot Holes I found and My Retelling Solutions:

Why did the mother have to resort to stealing the roses? Why couldn't she buy them at a store?

There are no roses at the store. Maybe the mother had to go on a long trip and was delayed until winter, so she had no opportunity to buy roses for her daughter. Because she doesn't want to disappoint Mary, the mother decides to steal from the Basilisk.

How did the mother find the castle?

A little boy mentioned how he saw roses at the monster's castle. The mother doesn't believe in monsters but decides to go there in case the roses are real.

Why does the Basilisk want to meet Mary?

The Basilisk is lonely, and he wants to know what kind of young lady would ask for lowers instead of silk and jewels.

Why doesn't the mother try to protect her daughter from living with a monster? Why is Mary so casual about being told to live with the Basilisk?

The mother lied to the Basilisk and brought the roses home to her daughter. The daughter loves the roses. The Basilisk tracks the scent of the roses to the cottage and tells the mother that she made a deal with him. Mary is understandably frightened to see a monster at her house and that he has come for her. However, she notices that the Basilisk is not trying to eat them. She asks the Basilisk if he will hurt her or her mother. The Basilisk swears a magical oath that he will not harm them upon his life. Mary agrees to go with the Basilisk.

Why does the Basilisk threaten the girl to cut off his head? What is the nature of this curse? Why was the Basilisk cursed?

The Basilisk is a prince who was cursed to become a monster body and spirit. His body changed instantly, but slowly, the curse is stripping him of his humanity. He accidentally loses control and bites Mary's arm. He dies because he swore on his life to not hurt Mary. Mary cries over the Basilisk's body, and her blood and tears break the curse.

Mary and the Basilisk have no chemistry.

Have Mary stay with the Basilisk for longer than three days. They tell stories to each other, and Mary slowly sees that the Basilisk is lonely and wants a friend. Over time, she enjoys being with the Basilisk very much.

Basilisk by Friedrich Johann Justin Bertuch (1747-1822). Source: Wikimedia Commons

Week 2 Reading Overview

When I looked through the different units offered in this course, I was excited about many. One of which is the Cupid and Psyche unit. One of my friends took a class about love in literature, and she ranted to me about how amazing the myth of Eros and Psyche is. I am excited to read a version of the tale and see why my friend liked it so much. I also know some of the myths featured in Ovid II, such as the myth of Hades and Persephone. I'm filled to the brim with inspiration for ways I can retell it. I am also looking forward to the King Arthur unit because the stories of Camelot and Excalibur have been with me since childhood. Another group of stories I am familiar with is the Grimm fairy tale collection. I'm happy to have a chance to retell some of these classics.

Some units aren't very familiar to me. Arabian Nights and Beowulf were both featured in my English literature class, but we only read excerpts. The Monkey King is not a story I am familiar with, but I know stories based off of it. Any anime fan knows about the Dragon Ball series. However, many may not know that Dragon Ball has roots from the 16th-century Chinese novel Journey to the West, sometimes called The Monkey King. Dragon Ball's protagonist Son Goku is even named after the Monkey King's original Chinese name, Sun Wukong.

I am also curious about the Native American units that featured trickster-heroes Raven and Coyote. I've always been a fan of the "trickster" deities in mythology. Godly figures such as Prometheus, Loki, and Hermes have been more enjoyable to read about due to their dual nature in mythology. Traditionally, worshippers portray tricksters, to some degree, as the bad guy to discourage wild behavior, but in more modern views, they are convenient scapegoats for their pantheon. The image below is Loki's depiction is one manuscript, which shows the more malign aspect of Loki's character by appearance.

Loki from Norse mythology
Image from the 18th-Century Icelandic manuscript SÁM 66, written by Jakob Sigurðsson.
Source: Wikimedia Commons
One myth this showcases this is the myth about the fortification of Asgard. In it, giant smith says he will build Asgard a defensive wall in return for the Sun, the Moon, and the goddess Freya's hand in marriage. The gods object to his terms, but when Loki thinks of a plan to get the wall without paying the smith, the gods agree to it. However, when things don't work out according to plan, the gods blame Loki. They rebuke Loki's trickster nature but go with it when it is convenient. The two-faced nature of the other gods eclipses Loki's trickster character because Loki is honest about his duplicity. This human-like theme in trickster-featured myths is more enjoyable to me compared to a good versus evil story. Because of this, I am excited to see a portrayal depict a trickster with heroic traits.

Outside of this course, a couple of stories I think everyone should know are the Japanese fairy tale of Princess Kaguya and the Cinderella-esque Russian Tale The Feather of Finist the Falcon.


My Reading Overview Plan of the Semester:

Choose from CLASSICAL and/or BIBLICAL units for Weeks 3 and 4.

Week 3: Cupid and Psyche
Week 4: Ovid II

Choose from MIDDLE EASTERN and/or INDIAN units for Weeks 5 and 6.

Week 5: Arabian Nights
Week 6: Turkish Fairy Tales
Choose from ASIAN and/or AFRICAN units for Weeks 7 and 9. [Week 8 is review week.]

Week 7: The Monkey King
Week 9: Japanese Fairy Tales (Ozaki)

Choose from NATIVE AMERICAN units for Weeks 10 and 11.

Week 10: British North America
Week 11: Alaska

Choose from BRITISH and/or CELTIC units for Weeks 12 and 13.

Week 12: King Arthur
Week 13: Beowulf

Choose from EUROPEAN units for Weeks 14 and 15.

Week 14: Brothers Grimm (Hunt)
Week 15: Brothers Grimm (Crane)



Sunday 18 August 2019

Time Strategies

One of the articles I read for this assignment, The Important Habit of Just Starting by Jory Mackay brought up how procrastination affects more than our work lives. He mentions the instant gratification fills our lives, with products designed to catch our attention. This consumerism culture makes it harder for a person to ignore the instant gratification of, say, greasy takeout meal, versus a healthy home-cooked meal.

Canal Walk Food Court Photo by Henry M. Trotter. Source: Wikimedia Commons
As a result of hundreds of scenarios like this, we lose track of our long term goals and can have regret in the later parts of our lives. To avoid this regret, Mackay proposes that since our brain's default is to value instant over long term gratification, we need to focus on the value of the long-term and remove distractions when we work.

This topic reminded me of Tim Urban's 2016 TED talk Inside the Mind of a Master Procrastinator, which brought up the point that procrastination is in all areas of life, not just for work. And how, without deadlines, procrastinators can avoid doing long term personal projects that overall lead to greater happiness.
"Inside the mind of a master procrastinator | Tim Urban" video at Youtube

The article How Checklists Train Your Brain To Be More Productive And Goal-Oriented talks about checklists create rewards that help productivity. I use lists to make sure I don't forget any assignment, but after I read about making sure we have small, meaningful goals with broader goals, I realized that I could expand each task to include smaller tasks. This way, I can better appreciate how much work I do and feel more accomplished with every tick off. Since our brains associate completed checklists with rewards, this strategy can improve how we will think about working and help us be more motivated in the future.

One strategy to avoid procrastination that I liked was from Caroline Webb's article How to Beat Procrastination. It was about figuring out the whys of your procrastination. Asking questions like "Why don't I want to start a certain task?" allows you to find ways around procrastination.

I've used this strategy in multiple ways. One of them is when I have trouble getting started during my focus time. Typically, the answer is, I'm too tired or out of it to be able to make any significant progress. I tell myself that the more I work on it, even with subpar results, it is still a starting point for even more improvement when I feel better.

Another way I used this strategy is when I had trouble getting through textbook readings. For me, I found that the textbook seemed too formal, which made me reak that I had to copy down every bit of information. Another thing was the lines left to right were long, so my eyes got tired more quickly. I solved this problem by reading the electronic textbook on my phone. Since I typically read on my phone, this made the reading seem less daunting and allowed my eyes to read it more easily. I find it is easier for me to read through the chapter digitally before I take notes with the hardcover copy.

Alongside going around motivation obstacles, Webb also talks about using small rewards when you start working. I've done this both for class and in my personal life. When I study in the morning, I get my favorite kinds of coffee and drink it while I work. Outside of class, when I go to the gym, I listen to my favorite music. One trick I use is to increase my workout intensity with faster parts of the songs. Because the quicker music already makes me want to get up and move, listening to it while exercising allows me to feel better.

Overall, I think the most significant time challenge for me this upcoming semester is fitting in fun time. When a semester starts, I have a terrible habit of working continually, without having a social or fun time in my schedule. By mid-semester, my constant work burns me out, and I decide to take a break. Except, since I remember the stress of overworking, it's tough for me to focus on work again.

I think that using strategies from the articles, like working around parts of why I don't enjoy a task and adding little rewards with each task will help me overcome that challenge and be able to use my time effectively.

Saturday 17 August 2019

Technology: From Class to Career

In previous online classes, I've used multiple kinds of websites, so some of the tools for this class are already familiar to me. For example, I've used browser bookmarks for years. I mainly use it to stay organized with a folder and subfolders for every one of my classes.

Other tools are not as familiar. I have little experience in image editing, but I can see how it would be useful. I'm also curious about how image editing works with different copyrights, such as for images that are free to reuse with modification. Graphic creation sounds fun. I only recently started to do something similar, with meme generators, so I am interested in creating images more.

Twine was the new tool that was probably the most interesting to me. I've written and read branching stories before, but the final product looked more like this:

Do you 
eat the pickle? (go to page 3)
or
trick another person to eat the pickle (go to page 5)
Picture of Pickle by photographer Renee Comet. Web Source: Wikimedia Commons.
It was a hassle to click from page to page manually. When I read The Mouse-Bride example from Twine, I loved how much easier it was to go through the story.

For the overall online setup of this course, I hope to work on becoming more flexible with different software. Being a tech-savvy person is essential in any career in the modern world. I remember watching my parents adjust to specific computer programs and websites so they could do their jobs correctly.

I believe that one of the critical parts of an online class, beyond the actual assignments, is learning how to use different online tools. I started the semester earlier, not only to get ahead but to also learn how to use technology, which will become invaluable in the future.

Friday 16 August 2019

Assignments for the Class

For this upcoming semester, I am the most excited about the storytelling aspect of the course. I am so used to classes where I read texts and then am required to write essays analyzing their more profound meaning. In writing my own stories based on the readings, I have a chance to look at familiar or new stories and think about them from a different perspective, whether by changing the genre or narrator point of view. Because of this, I am also excited about the semester project. The storybooks I looked at were so fun to read, and I already have ideas floating in my head for what I want to do with my own.
Storytelling Brings Life to Words. Web Source: Pixabay
This class is a mix of both a familiar and new setup for me, and I am curious about how it will turn out. I've taken multiple online courses where I had to post and comment on my classmates' posts. The difference between this class and the previous ones is that there are no midterms or final. So for every grade to be based on whether I am willing to The grading is also very different, but it is nice to know that if I work through an assignment all the way, I will receive full credit.

The extra credit is another exciting part of this class for me. My old teachers offered only during finals week, so it was only worth doing if you were at 89.3% and wanted to get bumped up to an A. I'm excited for having an opportunity to finish the semester early with extra credit so I can focus on my other classes for finals. So far, the famous last words, the extra reading, and the extra commenting credit look the most interesting to me, but I will certainly explore all of them.

Thursday 15 August 2019

Beyond a Growth Mindset



Growth mindset is a topic that started to introduce its way into my education when I was in 8th grade. Before hearing about it, my school was more set into what qualities a student inherently possesses, albeit not directly. For example, in elementary school, the honors program was called the "Gifted and Talented Program." The more problematic part of this name is "gifted." The use of the word "gifted" in a learning context became problematic in my early life when I wanted to learn to play the piano. My mother played the piano and agreed to teach me, but I quickly gave up. I struggled reading the music and in moving my hands to the different notes. I took my difficulty to mean that I just wasn't good at playing the piano. While I knew that my piano skills would improve with practice, the thought of naturally talented musicians my age made me feel dejected. I believed that I would never be as good as them, and I may as well give up. The piano practice could have become a fun bonding time between my mother, but instead it a competition that left me bitter.

This negative attitude repeated for multiple activities over the years. I gave up on otherwise fun activities because I believed I wasn't good at them, and I liked the activities I did well in because I did well in them. My self-esteem wasn't majorly affected until school became more difficult.

I always had more trouble in my English Language Arts class than the others. However, once I hit middle school, the struggle became noticeable when Bs and Cs came back in my progress card. I was devastated; I believed that a lower grade meant I was too stupid for a higher one. My stress levels went up, and my performance in my other classes also fell.
I panicked, and I began to study like crazy. I criticized and punished myself when I didn't improve the way I wanted too.

I remember feeling stupid until my 8th-grade English class.

By this point in time, my school presented movies in class revolving around a growth mindset. My 8th-grade English teacher wanted to incorporate growth mindset into the curriculum. She created a learning process which, while it still graded on an A to F scale, put more weight towards the end of the process, and allowed for extra credit that allowed you to get an A because you worked hard and showed analysis in additional assignments. My teacher explained that learning was a process, and her class allowed me to feel that I could learn how to analyze texts.
Once I hit high school, the struggle in English returned. I reread the passages I was supposed to analyze multiple times, but no deeper meaning came to me. I studied hard for English but didn't have any rising grades to show for it. My mother, who was an English major in university, noticed my increasing anxiety. She talked me through the questions I had about the texts and asked me questions about what I thought the test message was. As it turns out, when I slow down my thought process and speak my thoughts out loud or collaborate with someone else, English becomes much easier for me. I just hadn't studied the right way for me.

I believe that a growth mindset is a valuable learning lifestyle that allows people to become more comfortable with challenges. However, I think we can go further with it.

One critique I have is with Carol Dweck's words from her TED Talk, "The Power of Believing that You Can Improve." She said, "Before effort and difficulty made [the students] feel dumb, made them feel like giving up, but now, effort and difficulty, that's when their neurons are making new connections, stronger connections. That's when they're getting smarter."

While it is true that learning is a challenging process, I feel that Dr. Dweck puts too much correlation between effort and difficulty with the amount of knowledge gained.

Different learning strategies better suit different people. One person may be a more visual, quiet learner while another person learns best through collaboration and story-telling.

One person may struggle to understand a math concept by an hour no matter how much they reread the theory on a textbook page, but the instant they liken variables to people they know, they quickly understand and can even teach the concept.

By likening the amount of learning to the amount of effort, students will persevere though difficulty, even when they can learn more effectively bu using other strategies.
In cases where students study for hours but don't improve their grade, such as my earlier English class example, self-esteem problems and lower achievement goals are still present.

The old "Gifted" term to mean "If I struggle, I'm too stupid to do it." turns into "No matter how hard I try, I will never be good enough."

My time at OU has made this transformation more apparent when I see students who haven't learned their study tricks. One distressed classmate mentioned how they barely passed a midterm, despite the long hours of studying they put in. They said they might want to switch majors, discouraged by the lacking results that didn't reflect their dedication to doing well at OU.

Growth mindset is useful in not taking difficulty as a failure, but we should focus more on learning effectively. Study smart, not study hard is rising in many of my courses. This semester, one of my classes doesn't even require any particular textbook. Instead, they provide links to multiple resources, from online books to KhanAcademy. The reason that as upperclassmen in university, we should know how to best learn.

(image created with the imgflip.com Meme Generator)


Wednesday 14 August 2019

Introduction to a Future Doctor: Rebekah

I've had some weird career goals over the years. From ballet dancer to benevolent dictator of the world, I had many aspirations as a child. Some worried my parents more than others, as I'm sure you might imagine. I have one memory when I proudly proclaimed to my parents that I was going to become a hobo. My parents were surprised...to say the least. I was quick to reassure them.

"Don't worry," I said, "I'm not gonna be just any hobo! I'm gonna be a rich hobo with a big bag of money on a stick."

Man with a Bag of Money. Web Source: Public Domain Files
These whimsical workings of imagination filled my childhood. However, like any child, I became aware of an ever-approaching adult world. I had to consider what I wanted to do with my life, and that fact overwhelmed me.

I mused for a while about potential careers, but I didn't have enough information about what those jobs do daily. So, I thought more abstractly.

I decided that I want to become a medical physician. Doctors are in the room in critical moments of a human's life, from birth to death. More importantly, doctors are there when a person and their family face hardship and strife. People become doctors for many reasons: the humanitarian service, the high salary, the mystery of the human body and mind. I want to be the type of doctor that, while uses medical knowledge to the fullest, also remembers that each patient is a person, first and foremost. People want to live long, healthy lives. Whether a person wants to live in lavish isolation or herein a happy home, I want to help them continue living so they can continue their contribution in our shared human experience.

People Standing in Front of a Globe. Web Source: Max Pixel
For cases where I can't help them live, I want to be a compassionate person who provides comfort to the dying and the mourning. Perhaps this idea is silly or long-winded to others; however, it is an ideal that I have carried for years and that I am determined to carry out.









My Storybook Favorites



I Know What Eos, Selene, and Helios Did Last Night

The storybook, I Know What Eos, Selene, and Helios Did Last Night, is a retelling of multiple Greek myths. I knew the story of Selene and Endymion before I read the storybook, but I hadn't heard of the others. The title sounds much like the storybook's format, about the antics of the Greek deity siblings Eos, Selene, and Helios. The introduction sets up the reader's part in listening to a habitual brunch that these siblings set up, with Greek myths playing as a way for these siblings to brag about their lives.
The introduction's formal tone didn't fit some of the lines, such as, "[My godly sibling and I] fight about dumb things, like whose turn it is to control the sky...," which, by showcasing the supernatural and relatability of these characters, created a comedic effect that better suited the storybook's overall mood.
For the design of the storybook, I liked how each myth is separated into different sections as the siblings take turns telling their stories, with a different header to represent the narrator of that section. I also liked how there was a separate notes section which showed the sources and ideas behind the storybook as it allowed me to be immersed in the book all the way through.

Fairytale Case Files

The storybook Fairytale Case Files is a mysterious twist on many fairy tales I was already familiar with, such as Hansel and Gretel. The mood of the stories is darker to match a detective novel, which made me curious. One of the sections, "A Study in Footwear," is even an allusion to the famous detective case "A Study in Scarlet," which later became the Sherlock Holmes Series. 
The 1888 Cover of "A Study in Scarlet" by Sir Arthur Conan Doyle 
Web Source: Wikimedia Commons

One creative aspect of this storybook was how Detective Wolfgang discovers the aftermath of the original Hansel and Gretel, the dead witch, and investigates to find the truth of the murder.
Another aspect I enjoyed was how Wolfgang discovered Rumplestilkskin's name, which the Queen asked many to do in the original story.
The images used in this storybook were simple and were well-suited to the storybook.

Peter Pan: Revisited

The storybook Peter Pan: Revisited comes from the stories by J. M. Barrie. Before I read the storybook, I was already familiar with Peter Pan, both from the book and from many movies. The title, while it shows that we take an altered look at Peter Pan, is not particularly attention-grabbing. Another name to show how this storybook is different from the original might be something like The Heroic Captain Hook. This type of title would grab the reader's attention by creating an association that our minds automatically think off as wrong. Captain Hook is a notorious villain, so for him to be called heroic would create an attention-grabbing oxymoron.
The introduction is in second-person point of view where the reader interviews James Hook about the truth of Neverland, while the later sections read like a novel, where the next section takes off where the last part left off. I wasn't as much a fan of this, compared to other storybooks where each section was its separate adventure. However, the contrast of James Hook as an older man with child-like traits versus the young Peter Pan who lost his innocence to ambition showed me how I can change an original story but still keep the first themes, which in this case was childhood versus adulthood.
For the look of the project, I enjoyed how a new picture would be added in with every scenery change.

Saturday 10 August 2019

Favorite Place: Universal Studios' Orlando Resort

One of my favorite places is Universal Studios' Orlando Resort in Florida. Out of all its attractions, I adored The Wizarding World of Harry Potter. The breathtaking view of sights, like Hogwarts, brought the world of Harry Potter to life.


Hogwarts at Universal's Islands of Adventure.
Web Source: Wikimedia Commons.
One issue some people may have is that The Wizarding World of Harry Potter is split up between two parks. Universal Studios Florida features Diagon Alley and Gringotts, and Universal's Islands of Adventure is home to Hogwarts and Hogsmeade.
However, the transportation that Universal Studios came up with for Harry Potter fans outweighs the inconvenience of moving between the parks. The Hogwarts Express, an attraction in itself, travels between King's Cross Station in London part of Universal Studios Florida and Hogsmeade in Universal's Islands of Adventure. The Hogwarts Express is a magical ride that I recommend to anyone who travels to Universal Studios' Orlando Resort.


The Hogwarts Express in Universal Studios' Orlando Resort.
Web Source: Wikimedia Commons.